This post follows on from a previous post describing the equally fascinating subject matter and photographic skill of the 2020 National Photographic Portrait Prize.
Right next door to the dazzling photographic portraits is the Darling Portrait Prize.
When too many portraits are never enough? Gaze on…
In their promotional material, the National Portrait Gallery (NPG) says that “each portrait is the result of an encounter between the sitter and the artist, a meeting that often reveals a great deal about both”. I guess that is a pretty accurate statement when you consider that two people can look at the same thing and see something completely different.
Below I have borrowed the professional images and descriptions from the NPG website. Photography was allowed in the Gallery, but my photographs just did not do justice to the works. To see all 40 finalists, click here.
Winner: Elizabeth, 2019 by Anthea de Silva
Elizabeth Cameron Dalman OAM, PhD has been described as the high priestess of Australian contemporary dance. I‘m inspired by her constant reinvention as dancer, choreographer, actor, director, and environmental activist. Mostly, my artwork spans drawing; painting in oils, acrylic and water-based mediums; and light box installation – and I often incorporate X-rays to reference the luminous and dynamic human body. Charcoal is a product of fire, and, similar to oils, I love how it washes over surfaces, how it blends and erases. Here, Elizabeth is momentarily resting her feet at Mirramu Creative Arts Centre near Bungendore, preparing for her next adventure.
Finalist: Self Portrait #5, 2019 by Paul Newton
In this self-portrait I’ve tried to work in a very intuitive and spontaneous way, essentially letting the painting tell me what I needed to do at each stage of the process. I painted the whole thing very quickly – in just six hours – but then spent months refining it. During this time the challenge was to avoid overworking the painting; I wanted to maintain the freshness and looseness of a sketch. This is the fifth self-portrait I have painted, and I always find the process very liberating as there are no constraints or expectations.
I am the first to put my hand up to say that I do not have an artistic bone in my body. I am still scarred from a critique of my artwork when I was in 1st class at school (all of six years old) when we had to draw our mothers as a Mother’s Day gift. The feedback that sticks in my mind, all these years later, was the query asking why my mother’s hair was not actually attached to her head? Who knows the artistic workings of a 6-year-old mind, but I took it as a criticism and my fledgling artistic career was over before it started.
Finalist: Rhonda, 2019 by Denis O’Connor
My wife Rhonda has only recently retired from a long career as a well-respected and inspirational secondary school art teacher. Our friendship has survived for close to 50 years, and her portrait – explored through sketches, drawings and paintings – is part of an ongoing project that has been intrinsic to my studio practice for 20 years or so.
Finalist: Sunny Day, 2019 by Dalu Zhao
The subject in my portrait is my wife Xiaoxi Xia, and she agreed that I could submit the painting as an entry in the Darling Portrait Prize. I commenced the work with initial sketches and photographs of my wife by the seaside in 2019. I am an artist; I emigrated with my family from China to Australia in 2001, and I entered my work ‘Lao Fei’ Stephen FitzGerald in the Archibald Prize of 2003. It won the People’s Choice Award and was later (in 2011) acquired by the National Portrait Gallery.
Due to Covid19, our visit to the NPG was restricted to only a couple of rooms on the ground floor. That was enough for me. Not being an artist, I just ambled from one painting to the next enjoying the work for its beauty and cleverness rather than any deep technical analysis.
Highly Commended & Winner of People’s Choice Award: Wendy Bowman, 2019 by David Darcy
Wendy Bowman is an 86 year-old farmer and environmentalist from Camberwell, in the Hunter Valley region of New South Wales. In 2017 Wendy was awarded the international Goldman Environmental Prize – the world’s pre-eminent environmental award for grassroots conservation – after she won a legal victory against mining company Yancoal, halting the development of a 315 hectare coal mine that would have consumed her farm. Wendy has endured three decades of battling the multinational mining companies that surround her property. She has been evicted and relocated, but continues to fight for the rights of landholders.
Highly Commended: The In Between, 2019 by Sibone Heary
The In Between examines the female experience beyond the facade of the public self. My paintings draw heavily on my own life as an artist, a friend, a mother, a partner, a daughter and more. I am always ‘on’, always moving, interacting, connecting and ‘smiling’. And then there are the in-between moments – the moments of solitude when I have a second to breathe and sit with my tired self. Sometimes I am happy, sometimes broken, and sometimes just content to sit still in the sunshine and stare at the walls.
I like the honesty of portraiture. Often the paintings zoom in on the face, showing the beauty and ravages of time – every hardship and sunburned day, every laughter line and tough time.
I was dazzled by the skill of the artists. Some works are so lifelike and almost photographic in style, while others let their abstract desires take flight. Every so often I did a double take and stood so close to the work my nose almost touched the glass. Was it really a painting and not a photograph?
Finalist: Carma, 2019 by Narelle Zeller
Carma and I grew up together in rural New South Wales. Her portrait is a celebration of our relationship, an attempt to express and share the beauty I see in her. I sought to portray Carma’s connection to and love of our environment and animals, as well as her generous, kind-hearted nature and strength. This portrait sparked a collaboration with Canberra floral artist Amy Clement, who created a personalised headpiece for the sitting. The headpiece contains unusual foraged elements, and explores and captures the beauty that can be found in familiar but unremarkable natural materials. The blue-tongue lizard, Fezzik, is one of Carma’s pets.
Finalist: Tim Winton, 2019 by Sally Robinson
